A bunch of us Frances Whitney fans (a.k.a. “Franatics”) are meeting up on Zoom tonight — Frances, her mom, and/or some of her TSYOFs1Twenty-Something-Year-Old Friends may drop in, too — to celebrate “Fransgiving” and watch highlights from Frances’s recent 7-city tour.
You can sign up on Google Calendar or on my Discord, or just go directly to Zoom. The meetup starts at 9:00 PM Eastern / 6:00 PM Pacific.
If you’re curious, here’s the “setlist” I have planned for tonight:
If you’ve ever wished you were an OG, day-one fan of a huge artist before they blew up, allow me to introduce an astoundingly talented singer-songwriter on the rise: Frances Whitney.
Frances is genuinely remarkable. She isn’t just good for an indie artist or good for a young artist. I know this sounds like hyperbole, but I swear it’s not: she’s already an A-list, top-tier talent — at both singing and songwriting.
Most singer-songwriters lead with one skill or the other, but Frances is equally elite at both. She has the lyrical genius of Taylor Swift and Phoebe Bridgers, the heartbreaking clarity and raw vulnerability of Olivia Rodrigo and Noah Kahan, and the gorgeous & versatile vocals of Lana del Rey, Brandi Carlile, and Adele…combined.
Mark my words — she will be a household name someday.
If you don’t believe me, check out these videos of Frances. Seriously, just spend a few minutes watching her sing a few different songs, and you’ll get it.
Are you convinced yet? If so:
Oh, and in addition to her incredibly compelling original songs, Frances also has the rare Kelly Clarkson-esque ability to cover any song and make it hers. For example:
Fans of Brandi Carlile, Chappell Roan, boygenius/Julien Baker, and other sapphic artists may find this edit of Frances’s incredible song “Orion” particularly compelling… 🌈🌈🌈
Seriously. She’s so good. In the words of L.A. Underground:
“Frances Whitney is an absolute fucking star. . . . There is no doubt about it. She is built different. . . . We saw T. Swift play her first L.A. show [in 2004] . . . and that’s the kind of energy she gives off. . . . Just do yourself a favor and get on the Frances Whitney bandwagon sooner than later. So you can brag about it some day like we flex about Taylor.”
By now you may be wondering: who is this MileHighBrendan guy, rambling at me about some artist I’ve never heard of? Is he on her payroll? An industry shill? A longtime personal friend?
Nope, nope & nope. I’m a random middle-aged lawyer in Denver who, in the past few months, has simply become a huge Frances Whitney superfan. I first discovered Frances on April 4 when, scrolling mindlessly on TikTok late at night (as one does), I had the good fortune of wandering into her TikTok Live, and… wow.
I was utterly stunned by how fucking good she is, as both a singer and a songwriter. How on earth, I wondered, is she not already a superstar?!
This wasn’t just another TikTok singer with a nice voice. This was an undiscovered gem, a rare talent with limitless potential. It felt like I had wandered into a Seattle coffee shop in 2002 to find a young Brandi Carlile performing to an audience of dozens — and had immediately clocked her as a future star.
And thus, a new hyperfixation/special interest was born. 🙂 I knew right away that I had to tell everyone about her.
Take, for instance, this video I made of Frances singing and discussing “Past Life” — an unreleased, lyrically gorgeous song that will be on her November EP.
Another example is this acoustic performance (followed, again, by some thoughtful & fascinating behind-the-music thoughts) of her newest single, “You Left Me For Jesus”:
Oh, and did I mention that Frances slays every cover she attempts? And she often does it without any notice, prep or practice! She’ll get a random request on TikTok Live, she’ll Google the guitar chords, she’ll fumble around for a few moments…and then, without warning, she’ll play the best goddamn rendition of the requested song that you’ve ever heard in your life.
Bottom line: like I said earlier, I’m ridiculously confident that Frances is going to be a household name sooner or later; she’s too talented not to be. You know how Chappell Roan has gone from playing small festivals to commanding giant crowds in just 3 years? Or how Noah Kahan burst onto the scene with similar suddenness? That can totally happen for Frances too. She’s that good.
And somehow or other, I’ve stumbled into being an OG, day-one fan. Which is especially surprising because I’m very much not “that guy” who is always raving about some new undiscovered indie artist or band. I’m not a hipster; I’m a Taylor Swift content creator, FFS. 😂
But Frances is something special. Heck, I flew to L.A. (from Denver) to see her first-ever headliner gig in June — and I even got a personal shoutout from Frances that will be my ultimate flex when she’s a star:
Anyway… again, you can find Frances on social media at @unwe11_princess (TikTok) or @frannybanany (Instagram). And you can also find an enormous amount of Frances-related content on my TikTok, @milehighbrendan, which is mostly just a Frances Whitney fan account these days. 🙂 More specifically, look in these playlists:
Speaking of “Frances🤝Brandi🌈” … I wrote briefly above about Frances’s very best (IMHO) original song, Orion. I recommend Orion to everyone — it’s one of my favorite songs by anyone, ever — but I especially recommend it to fellow Bramily and sapphic music fans. If you watch my edit, I think you’ll understand why. 🙂
Thematically, Orion has a lot in common with Brandi Carlile’s Looking Out. (Hence this friendship bracelet, which I hope to give Brandi at GJWW6.) Also, as implied by the captions above, its title has a double meaning; the song’s muse is a woman named Ryan. “Orion… Oh, Ryan… my words are falling short…”
So yeah. Orion is amazing. You can see Frances perform the full song at Winston House, or on Toronto N1 (higher-key, extra-raw version), or on TikTok Live (awesomely rapsy version).
Fellow Brandi fans will also especially like this Frances cover… 🙂
Here’s my edit of another unreleased song, “Biggest Fan,” which I think will also be on the EP:
Here’s still another unreleased, coming-soon original, “20-Something”:
And here’s part of another beautiful unreleased original song, “Old Friends”:
I call myself “Frances Whitney Nation” (a la Taylor Nation), because I’ve made so much content about Frances’s music, and Frances has jokingly called me her “proxy manager.” But again, to be clear, I’m not actually affiliated with Frances or part of her team. I’m just a massive, massive fan.
That said, if you’re connected to the music industry and you’re intrigued by Frances, here’s some relevant info about her team:
And again, here’s my Spotify playlist with all of her songs, including the older ones that are listed under different names on streaming. (Here’s an Apple Music version.)
A few more links:
And here are some reviews & articles about Frances’s music:
Last but not least, a few more videos…
Here’s a compilation that I made from several of her TikTok Lives:
And here are a couple of compilations of just covers:
Frances Whitney is an absolute fucking star. . . . We saw T. Swift play her first L.A. show on that same stage . . . and that’s the kind of energy she gives off. She’s a great songwriter. An incredible presence on stage. . . . Do yourself a favor and get on the Frances Whitney bandwagon sooner than later.
L.A. Underground
Frances Whitney is a stunningly talented new indie singer-songwriter who I firmly believe is destined for stardom. ✨ I’ve basically become the unofficial leader of the “Franatics,” i.e., her TikTok fan club. 😊 Here are some links:
New 🔥song of the summer🔥 just dropped!!
Stream it — and Frances Whitney’s other 8 (yes, 8!) released songs — on:
UPDATE: I’ve published an updated, new & improved version of my exile edit! Enjoy:
This version is 25 seconds longer than the original, thanks to some new footage from just before & just after the song. It also features: (1) more closeup Taylor footage (thanks, Oscar!); (2) more full-frame shots (inspired by my New Year’s Day edit); (3) better audio (I think); and (4) Lauren‘s memorable livestreamed sobs — which felt important to include, as they were an indelible part of the moment for tens of thousands of Swifties who were watching the surprise songs live on a grainy livestream that night.
(You can hear the sobs starting around 3m45s, right at the point where Taylor absolutely goes ham with the ✨VOCALS✨: “So step RIIIGHT OUUUT!! There is NO! AMOOOOUUUUNT!! of CRYYYY-YYYY-YYYY-ING…”)
ORIGINAL POST (posted 11/20/2023):
L.A. Night 4 truly won:
IG Story archives – official Instagram accounts:
IG Story archives – fan Instagram accounts:
YouTube playlists:
Other videos of Brandi’s Thursday setlist:
Setlists:
If you start my Eras Tour mega-edit at exactly 11:54 PM, the countdown clock will strike zero at midnight.
The schedule goes like this:
*overlapping audio from Glendale N2 & Denver N1
Brandi Carlile was stunned by the secretly organized fan rainbow at her Friday Red Rocks show.
Horizontal version (also on TikTok):